Sushant Singh Rajput, Rhea Chakraborty are sub-plots of a much larger Mahabharat
If its parts were to be read in isolation, it could have been just a story about an honest prince with a gambling problem. Or a story about a king in lust denying his son his rightful claim to the throne. Or of another king’s blind love for his son leading to a devastating war. But the Mahabharat is a sum of all these stories. These are just important sub-plots of the world’s most thrilling, expansive epic. Sushant Singh Rajput’s death and the public spectacle that has ensued is a riveting story. Many of us are annoyed by the daily, primetime inquisition of his girlfriend Rhea Chakraborty by screaming anchors, singling her out as the sole villain, or she being thrown into jail on charges seemingly unrelated to Sushant’s death. Others are angry at what they feel are an elaborate PR exercise by certain channels and a part of Bollywood to whitewash her role, as also the Maharashtra administration’s apparent desperation to save her from scrutiny. But Rhea’s story – or even the great Su